Michael E. Goldman is a San Francisco based feature and television Production Designer & Art Director with over 25 years experience working throughout the US and in Eastern Europe. Goldman has helped to create a variety of projects including block buster studio films, Marvel's Venom: Let There Be Carnage, Shang Chi, Ant-Man & The Wasp & Iron Man 1 & 2 to smaller independent films like Finn Taylor’s Avenue Of The Giants. His television/streaming work includes Netflix's The Pale Blue Eye, Amazon's All The Old Knives, FX/Hulu's series DEV's and HBO's Looking as well as projects for the traditional networks.

Goldman brings to every project his love of design, drawing and construction as well as realistic scheduling and budgeting skills. He is efficient with time, cool headed under pressure and always has a sense of humor. All of his knowledge has been gained from years of office & hands on experience and is rooted in studies in architecture, photography and art history.

Michael is a member of the National Art Directors Guild I.A.T.S.E Local 800 and San Francisco’s I.A.T.S.E Local 16. In 2005, he was part of the team that won an Oscar for Production Design on Columbia Pictures Memoirs of a Geisha and has worked in art departments nominated five times by the Art Directors Guild for their Excellence in Production Design Award; in 2009 for Ron Howard’s Frost/Nixon & Marvel’s Iron Man, in 2014 for Paramount Picture’s Star Trek Into Darkness & Woody Allen’s Blue Jasmine and in 2017 for Woody Allen’s Café Society.

Visit the links at the bottom to see his IMDB page and his Art Director’s Guild listing